New for POD Go firmware 1.21, classic Prince Blackface tones, plus 4 custom IRs!

New for Helix firmware 3.0, classic Blackface US Princess tones, plus custom IRs!

This preset has both Match D30 models in stereo, with plenty of effects for a wide variety of tones.

All-in-one preset for HX Stomp containing a compressor, dual cab setup, EQ, delay, reverb, and the classic Top Boost A30 amp.

Classic SVT amp tones for your POD GO, with two drives, an amp drive switch, and an octave pedal.

Two of Helix’s Top Boost model (Essex A30) configured in stereo into two 212 cabs for a huge stereo image. It has that classic A30 Top Boost Chime without being shrill or thin, even at high volumes.

This preset contains two popular boutique amps set up in stereo for edge of breakup tones. The stereo image from these two amps is huge, and is even bigger in v2!

Preset inspired by Keith Urban’s tones on the Tim McGraw song “Highway Don’t Care.” It has the Twin Reverb amp model, along with a compressor, drive, delay, and reverb.

Preset inspired by Keith Urban’s tones on the Tim McGraw song “Highway Don’t Care.” It has the "F-type Double" amp model, along with several drives, delay, reverb, and a tremolo.

New for HX firmware 3.0, classic Prince Blackface tones, plus 4 custom IRs!

This set of presets seeks to recreate the guitar tones on recent Hillsong Worship and United records. The download is a zip file with two presets: one with a compressor, amps, cabs, and a reverb, and the other with 6 additional effects from the Helix version of this preset.

Classic SVT amp tones for your HX Stomp! Comes with a variety of effects and drives, with two amps in parallel to preserve the low end when you engage drives or octave effects. Massive bass tones with this one!

HX Stomp version of my full Helix Plexi preset. Comes with two presets: the main plexi preset, and a second preset with 6 effects from the full Helix preset, in order to maximize flexibility so you can copy/paste effects as needed.

New for Helix firmware 3.10, ORNG Rockvrb! This bundle comes with a preset for single coils, one for humbuckers, and four custom IRs made from a 412 ORNG cab. It includes several of the new effects added to firmware 3.10, all 8 snapshots set up with different tones,

This is a stripped-down version of my Helix Cali Texas stereo amps preset. It has a compressor, the two channels of the Cali Texas model in stereo, and a dual cab block. Recommended for use as an amp replacement with a pedalboard as the DSP on this preset is maxed out.

This preset is designed to recreate the vintage Silver 1848 and Supr guitar tones used in the song “220”, with a few extra features to make it more versatile.

This is an HX Stomp version of my Early Classic Rock Helix preset, with a Plexi and Litigator in stereo.

A30 + A15 in parallel with my signature 15ms simple delay which massively increases the stereo image. This preset is designed to integrate into your existing pedalboard as a direct solution with a couple extra effects if you want to use them. It will work well at the end of your pedalboard as a clean amp + a couple extra effects, or between your wet and dry effects, enabling you to effectively use the “amp drive” switch (footswitch 1).

This is my "rock" preset. As you can hear from the demos, it works for all kinds of rock tones and works well with a wide variety of guitars.

This preset has channels 1 and 2 of the Cali Texas amp model in stereo, and the stereo spread is massive.

This is a versatile POD GO A30 preset that cover a wide variety of classic British Class-A tones.

New for HX Stomp firmware 3.10, ORNG Rockvrb! This preset comes with 3 presets: one for humbuckers, one for single coils, and a third preset with some of the effects from the full Helix version. It includes several of the new effects added to firmware 3.10 and four custom IRs made from a 412 ORNG cab.

Versatile pedals into cleanish "F-style" amp preset.

Designed by an LA session bass player, Blake Riley, and me. This preset has both SVT amp channels in parallel to create massive bass tones, with a variety of effects in series and parallel to preserve the core low end tone.

This is my take on the classic American “tweed” sound, used on countless records over the years. Includes a single coil / humbucker switch, several gain stages, several modulation effects, a delay, and a couple classic reverb settings.