A30 + A15 in parallel with my signature 15ms simple delay which massively increases the stereo image. This preset is designed to integrate into your existing pedalboard as a direct solution with a couple extra effects if you want to use them. It will work well at the end of your pedalboard as a clean amp + a couple extra effects, or between your wet and dry effects, enabling you to effectively use the “amp drive” switch (footswitch 1).

Recreates the tones from the legendary Matchless DC-30 amplifier with a custom IR. Includes footswitches and snapshots for a wide variety of tones.

Versatile rock preset that covers a wide variety of tones (check out the demo video): EVH, AC/DC, Led Zeppelin, early Metallica, Red Hot Chili Peppers, and more general Marshall tones like Green Day, Paramore, etc. Single Coil / Humbucker toggle switch to maximize flexibility with a wide variety of guitars.

This preset is designed for volume swells with the expression pedal, and has 4 different snapshots set up for varying sizes of ambience: small, medium, large, and overdriven

This is an HX Stomp version of my Early Classic Rock Helix preset, with a Plexi and Litigator in stereo.

This is an all-in-one HX Stomp version of my Match preset. It will also work well at the end of your mono pedalboard as a clean amp + a couple extra effects, or between your wet and dry effects, enabling you to effectively use the “amp drive” switch.

This is my most popular "Praise and Worship" preset. I designed this preset to mimic the tones from the Bethel Music - "Starlight" and "Have It All" records, including drives, delays, and reverbs dialed in to mimic the “cloud” setting on the BigSky.

Classic SVT amp tones for your HX Stomp! Comes with a variety of effects and drives, with two amps in parallel to preserve the low end when you engage drives or octave effects. Massive bass tones with this one!

This preset is designed to replicate the guitar tones from recent Hillsong Worship and United records, which we can do properly with the addition of the tweed amps in firmware 2.8.

This is my take on the classic American “tweed” sound, used on countless records over the years. Includes a single coil / humbucker switch, several gain stages, several modulation effects, a delay, and a couple classic reverb settings.

Two of Helix’s Top Boost model (Essex A30) configured in stereo into two 212 cabs for a huge stereo image. It has that classic A30 Top Boost Chime without being shrill or thin, even at high volumes.

This preset contains two popular boutique amps set up in stereo for edge of breakup tones. The stereo image from these two amps is huge, and is even bigger in v2!

Preset inspired by Keith Urban’s tones on the Tim McGraw song “Highway Don’t Care.” It has the "F-type Double" amp model, along with several drives, delay, reverb, and a tremolo.

This is my take on the classic American “tweed” sound, used on countless records over the years.

This preset has channels 1 and 2 of the Cali Texas amp model in stereo, and the stereo spread is massive.

This preset has both Match D30 models in stereo, with plenty of effects dialed in to cover most common P&W tones.

Versatile pedals into cleanish "F-style" amp preset.

New for HX firmware 3.0, classic Prince Blackface tones, plus 4 custom IRs!

This is a versatile POD GO A30 preset that cover a wide variety of classic British Class-A tones.

This preset contains two popular boutique amps set up in stereo for edge of breakup tones. The stereo image from these two amps is huge, and is even bigger in v2!

This preset is designed to recreate the vintage "Silver 1484" and "Supr" guitar tones used in the song “220”, with a few extra features to make it more versatile.

Recreating the legendary tones of the American F-type D-Lux Rvb amp, with a ton of flexibility packed in!

HX Stomp version of my full Helix Plexi preset. Comes with two presets: the main plexi preset, and a second preset with 6 effects from the full Helix preset, in order to maximize flexibility so you can copy/paste effects as needed.

This is my take on the classic American “tweed” sound, used on countless records over the years. Includes the amp+cab, several gain stages, a tremolo, a delay, and a couple classic reverb settings.

This preset is designed to recreate the vintage Silver 1848 and Supr guitar tones used in the song “220”, with a few extra features to make it more versatile.