This is my take on the classic American “tweed” sound, used on countless records over the years.

Recreating the legendary tones of the American F-type D-Lux Rvb amp, with a ton of flexibility packed in!

A30 + A15 in parallel with my signature 15ms simple delay which massively increases the stereo image. This preset is designed to integrate into your existing pedalboard as a direct solution with a couple extra effects if you want to use them. It will work well at the end of your pedalboard as a clean amp + a couple extra effects, or between your wet and dry effects, enabling you to effectively use the “amp drive” switch (footswitch 1).

This preset is designed for volume swells with the expression pedal, and has 4 different snapshots set up for varying sizes of ambience: small, medium, large, and overdriven

This preset contains two popular boutique amps set up in stereo for edge of breakup tones. The stereo image from these two amps is huge, and is even bigger in v2!

Two of Helix’s Top Boost model (Essex A30) configured in stereo into two 212 cabs for a huge stereo image. It has that classic A30 Top Boost Chime without being shrill or thin, even at high volumes.

This preset is designed to recreate the vintage "Silver 1484" and "Supr" guitar tones used in the song “220”, with a few extra features to make it more versatile.

Classic SVT amp tones for your POD GO, with two drives, an amp drive switch, and an octave pedal.

This preset has channels 1 and 2 of the Cali Texas amp model in stereo, and the stereo spread is massive.

This is a stripped-down version of my Helix Cali Texas stereo amps preset. It has a compressor, the two channels of the Cali Texas model in stereo, and a dual cab block. Recommended for use as an amp replacement with a pedalboard as the DSP on this preset is maxed out.

Versatile pedals into cleanish "F-style" amp preset.

This is a versatile POD GO A30 preset that cover a wide variety of classic British Class-A tones.

Preset inspired by Keith Urban’s tones on the Tim McGraw song “Highway Don’t Care.” It has the "F-type Double" amp model, along with several drives, delay, reverb, and a tremolo.

All-in-one preset for HX Stomp containing a compressor, dual cab setup, EQ, delay, reverb, and the classic Top Boost A30 amp.

This is my most popular "Praise and Worship" preset. I designed this preset to mimic the tones from the Bethel Music - "Starlight" and "Have It All" records, including drives, delays, and reverbs dialed in to mimic the “cloud” setting on the BigSky.

This is my flagship A30 patch. It has Class-A 30w and 15w amps in stereo for huge classic British tones. Effects dialed in to cover a wide variety of classic and P&W-style A30 tones.

This is an all-in-one HX Stomp version of my Match preset. It will also work well at the end of your mono pedalboard as a clean amp + a couple extra effects, or between your wet and dry effects, enabling you to effectively use the “amp drive” switch.

This is an HX Stomp version of my Early Classic Rock Helix preset, with a Plexi and Litigator in stereo.

This preset is designed to recreate the vintage Silver 1848 and Supr guitar tones used in the song “220”, with a few extra features to make it more versatile.

This preset is designed to replicate the guitar tones from recent Hillsong Worship and United records, which we can do properly with the addition of the tweed amps in firmware 2.8.

Preset inspired by Keith Urban’s tones on the Tim McGraw song “Highway Don’t Care.” It has the Twin Reverb amp model, along with a compressor, drive, delay, and reverb.

Versatile lower gain rock preset, covering tones from artists like Aerosmith, Lynyrd Skynyrd, Hendrix, the Beatles, ZZ Top, Black Sabbath.

Versatile rock preset that covers a wide variety of tones (check out the demo video): EVH, AC/DC, Led Zeppelin, early Metallica, Red Hot Chili Peppers, and more general Brit Plexi tones like Green Day, Paramore, etc. Single Coil / Humbucker toggle switch to maximize flexibility with a wide variety of guitars.

Designed by an LA session bass player, Blake Riley, and me. This preset has both SVT amp channels in parallel to create massive bass tones, with a variety of effects in series and parallel to preserve the core low end tone.

This preset contains two popular boutique amps set up in stereo for edge of breakup tones. The stereo image from these two amps is huge, and is even bigger in v2!